![]() A fight scene in the 1985 film The Adventures of Hercules takes place here and the Orcus' mouth acts as an entrance to a cave. ![]() ![]() ![]() Some scenes from the 1985 Frankenstein film The Bride starring Sting and Jennifer Beals were shot amidst the statuary at the Garden.A reimagined version of the garden is the centerpiece of the novel A Green and Ancient Light, written by Frederic S.The opera Bomarzo premièred in Washington in 1967, since the Argentine government had condemned it as sexually offensive. Mujica Láinez himself wrote a libretto based on his novel, which was set to music by Alberto Ginastera (1967). The story behind Bomarzo and the life of Pier Francesco Orsini are the subject of a novel by the Argentinian writer Manuel Mujica Láinez, Bomarzo (1962).Niki de Saint Phalle was inspired by Bomarzo for her Tarot Garden, Giardino dei Tarocchi.The poet André Pieyre de Mandiargues wrote an essay devoted to Bomarzo.The surreal nature of the Parco dei Mostri appealed to Jean Cocteau and the surrealist Salvador Dalí, who discussed it at great length.It currently houses the tombs of Giovanni Bettini and Tina Severi, the owners who restored the garden in the twentieth century. The Temple of Eternity: memorial to Giulia Farnese, located at the top of the garden, it is an octagonal building with a mixture of classical, Renaissance and Etruscan genres.The Leaning House: dedicated to cardinal Cristoforo Madruzzo, who was a friend of Vicino Orsini and his wife.A giant who brutally shreds a character.A turtle with a winged woman on its back.Hannibal's elephant catching a Roman legionary.The Hell Mouth is also only a fragment of a whole body, and thus grotesque. Art historian Luke Morgan describes this sculpture as "The Hell Mouth" and notes that people dined in it, producing the effect of simultaneously eating and being eaten this duality is representative of 16th century "monsters" in Italian gardens. Orcus with its mouth wide open and on whose upper lip it is inscribed "OGNI PENSIERO VOLA" ("All Thoughts Fly"), which is illustrated by the fact that the acoustics of the mouth mean that any whisper made inside is clearly heard by anyone standing at the base of the steps.Two sirens, probably Proserpina, wife of Pluto.A fountain called Pegasus, the winged horse.Next to a formal exit gate is a tilting watchtower-like casina, the so-called Casa Pendente ("Leaning House"). Perhaps they were meant as a foil to the perfect symmetry and layout of the great Renaissance gardens nearby at Villa Farnese, and Villa Lante. The reason for the layout and design of the garden is largely unknown Liane Lefaivre thinks they are illustrations of the romance novel Hypnertomachia Poliphili. The many monstrous statues appear to be unconnected to any rational plan, and appear to have been strewn almost randomly about the area, sol per sfogare il Core ("just to set the heart free") as one inscription in the obelisks says.Īllusive verses in Italian by Annibal Caro (the first one is of him, in 1564), Bitussi, and Cristoforo Madruzzo, some of them now eroded, were inscribed beside the sculptures. The park of Bomarzo was intended not to please, but to astonish, and like many Mannerist works of art, its symbolism is arcane: examples are a large sculpture of one of Hannibal's war elephants, which mangles a Roman legionary, or the statue of Ceres lounging on the bare ground, with a vase of verdure perched on her head. When Orsini's wife died, he created the gardens to cope with his grief.ĭuring the 19th century, and deep into the 20th, the garden became overgrown and neglected, but after the Spanish painter Salvador Dalí made a short movie about the park, and completed a painting actually based on the park in the 1950s, the Bettini family implemented a restoration program which lasted throughout the 1970s, and today the garden, which remains private property, is a major tourist attraction. It was commissioned by Pier Francesco Orsini, called Vicino, a 16th-century condottiero, and patron of the arts, greatly devoted to his wife Giulia Farnese (not to be confused with her maternal great-aunt Giulia Farnese, the mistress of Pope Alexander VI). The park's name stems from the many larger-than-life sculptures, some sculpted in the bedrock, which populate this predominantly barren landscape.
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